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 audition (Odishon) - Irish film center

When u join Jeffery Dahmer and Dennis (boil in the bag) Nilsen u come up with Yamazaki Asami, the leading female role in this disturbing film. 

This Japanese sub titled film currently playing at the IFC is probably one of the most horrid off the wall films that I have seen of late.

Not billed as grotesque or horror, the early part of the film provided a unique insight into the modern day Japanese lifestyle of a business man in Tokyo.

It is quite slow moving for the first half, which does not prepare the audiance for the ending!!. The director makes extensive use of 'time lapse' editing and the film opens with the leading male 'Aoyama' mourning the death of his wife whilst his child looks on...

Cut to 7 yrs later and the now attractive looking son telling the father that he should get married again etc etc. During a post work drink with his best friend who works in the film business, he mentions the fact that its hard to get 'good' girls nowadays?..adding that "Japan is fucked" His friend, listening to his plight suggests organising an audition for wanna be female actors.

Aoyama picks on one particualr girl,with whom he becomes infatuated, much against the warnings from his film industry friend. The film really lifts off from there and goes into the hard stuff of torture, maiming, decapitation etc, etc

Up to this point we get the odd scream from the fairer sex in the audiance which promotes the odd matcho giggle...similar to Jaws..then soon after male audiance members start to look sideways at the curtains and the artistic fire extinguisher in the corner.. in fact anywhere but the screen.

Whether you could regard the film as logical at this stage is questionable,but obviously the director and film festival freaks think its brillantissimo.

At this stage we have a serious exit of viewers from the cinema, about a third left the IFC to the relative safety of the foyer, both male and female including my normally 'salt of the earth' friend from Laois, who scampered over the back row seats!...He came back in when an usher laughingly told him that it didnt get any worse.

And the ending, well, the hero is actually Aoyama's son. Quote of the film "this wire is very good at cutting flesh and bone" I suppose its worth seeing so that u can talk about it as a conversation stopper amongst friends.

We adjourned to the Front Lounge to recover and contrasted Panti with Asami :-)

      reviewed by Tomer - may 2001

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